One of the areas that the pick up community tends to avoid like the plague is dance floor opening and attraction techniques. Most people avoid this aspect of the game because they feel like you need to be some super talented dancer to pull anything from the dance floor. In actuality this is far from the truth, and with a little bit of practice you can conquer what has been called by some, the El dorado of pickup.

Dance Floor Rules of Thumb
There are three basic principles you need to internalize when you’re on the dance floor

• Never stand by yourself on a dance floor
• Make eye contact then open
• Never linger without acting

Lets go over each of these points to foster an understanding of each.

Never stand by yourself on a dance floor – Social proof is critical in dance floor game. The ultimate destoyer of social proof is standing alone on the dance floor looking on or scanning the scene. This doesn’t make you look cool, it mkes you look creepy. It doesn’t matter if you have a drink in your hand you still look creepy. If you came with friends, stand by them and feign a conversation if you’re on the dance floor. If you’re by yourself go to the bar area and run regular attraction material to win over and move a set from the bar to the dance floor. Both of these actions will give you a launch pad and home base to come back to as you launch your dance openers throughout the night.

Making eye contact – This rule is less absolute for younger ages (18 – 20) but is an absolute must for older ages (21+). It’s kind of difficult to explain the right way to do this without pictures or diagrams but you want to try to incite a glance without staring. People naturally glance at objects or things that they perceive are looking at them. Try looking slightly to the left of someones temple (bait) when you’re walking by them at the mall or supermarket. They’ll look at you first to see if you’re looking at them (bit) but realize that you’re not, but in that moment you turn your head right at them and catch them looking at you (caught) and meet them with a genuine smile. Not only will they feel a tad bit guilty for staring, but your smile will disarm them enough to start a conversation. On the dance floor this technique is essential to making the approach feel both natural and spontaneous. You want to position yourself and your group ~ 45- 75 degrees from the straight field of vision of your prospect (i’ll probably draw a diagram for this). It’ll take a while to master but making and locking eye contact with prospects immediately before approaching broadcasts that you’re an alpha who isn’t afraid of taking what he wants after he’s seen it.

Never linger- Many of you are familiar with the three second rule in bar and daytime game. On the dance floor you have 1 to 2 seconds to act after establishing eye contact or else you need to reset (both in positioning, timing, and target). By giving you and your target such a limited time window you decrease the chances of both you and target making excuses on why you shouldn’t dance. Net net, the more you fight those internal demons the greater chance of rejection

Next post- Dance Floor Game – Part 2 – The Silent Opener

~Profit

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I witnessed the effects of something that almost defied logic this weekend- The reverse cockblock.

I’m sure all of us have been in a position where someone or something gets in the way of our gaming. It could be a mother hen, jealous girlfriend, or a crappy DJ. Collectively, these obstacles are called cock blocks and they serve to hinder game by throwing sarcastic remarks, setting the wrong tone, or otherwise throw you off your game.

But what if a statement perceived as cockblock served to build more attraction? Enter the reverse cockblock.

Here’s how it works

PUA and his wing opens a set and PUA isolates his target, while his wing rolls off. PUA builds decent rapport and excuses himself (to the bathroom, to make a call, buy a drink whatever, it doesn’t matter). PUA’s Wing then swoops in and drops the following dialog:

Wing: Hey what’s up, i see you and person A are getting along (to target)
Target: Yeah, he’s cool
Wing: Well, i don’t mean to hate or anything, don’t get your hopes up, he talks to a lot of girls, and even if he gets your phone number he probably won’t call.
Target: (shocked): ook
Wing: Yeah, I’m a nice guy and you seem like you’re really into him so I’m just letting you know
Target: uhh, ok, thanks
Wing: Anyway I gotta bounce

What’s key in the reverse cock block is the reason for disqualification. In order to work, the PUA needs to be disqualified because of his ability to get and charm girls. When the interaction resumes the PUA should not direct address what the wing said unless the target brings it up. If she doesn’t bring it up and continues the dialog, it’s money, she’ll be flattered that the PUA is continuing to talk to her despite his ‘player’ reputation. Continue to game and increase attraction and close.

If she does bring it up, she’s showing insecurity and it’s a great time to qualify her. Address it head on, say something to the effect of “Yes, I do chat with a lot of girls, but there was something special about you that makes me want to talk to YOU tonight instead of anyone else here.” Move on and continue to game.

This is a FIELD TESTED technique, but it’s still in the midst of testing this at different points in the game cycle. I’ve seen this done Modified where it’s performed at the end of a cycle after the PUA #closes. This allows to have your wing increase her surprise/receptiveness when the PUA actually calls her the next day.

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When approaching groups of woman, we all have a history of a terrible wingman that crashed the whole mission by either overplaying his role or not playing it correctly which results in no ass. In this segment, I will offer three examples of the perfect wingman which will give you the necessary tools to infiltrating that group of woman to get the results your looking for.

1. Your in a bar in you noticed 3 girls talking and out of those 3 girls, only one is cute. You as the hitman have to instruct the wingman to follow your directions so you guys can be a united force if the plan is to converse with the whole group. The role of the wingman in this situation is to isolate the two girls away from the hitman’s target, and keep them entertained by talking about random shit which will keep them away from their friend. If you are unable to seperate the two girls from the rest of the pack, follow the conversate that is given by the hitman, and not change that course because that will show inconsistency.

2. Your at a bookstore and you noticed two girls and a guy talking. The role of the wingman in this situation is to be the “lab rat” by joining the conversation and taking the guy away from the two girls by conversing with him over random shit. Once the hitman see an open road, he will entertain the two girls and try to conquere which ever one he wants.

3. Your in a cafe in you notice a mother and her beautiful daughter is having a wonderful conversation. The role of the hitman and the wing should huddle up and think of a perfect soulution to decieve the two by either having some kind of history with the girl to take the mother off guard. Perhaps asking the girl if she went to a particular middle school or high school. This situation can be a bit dangerous but you will be surprised how cool moms can be sometime when it comes to guys approaching their daughters.

-Hajji

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